I would go to fairs and they'd have bands playing some AC/DC I turned into a little jerk hey man yall played that wrong. I knew just about every song on every album. I started listening to AC/DC like crazy the were my favorite band and being that all the songs they have are the same chords different arrangements I started with Bon Scot kept going. This helped me bug time it might not help you but after listening to these guys it was like I developed perfect pitch or something. At this point I was just mimicking, I didn't know what chords I was playing no clue, but I'd go back to him alone because he knew his stuff and he always had weed so after finally getting basic chords down and actually knowing I'm playing a E, g what ever but still couldn't tell you what chord a song was in.
#ITS NOT THE PALE MOON THAT EXCITES ME CHORDS HOW TO#
So he would show me chords or if I heard a song on the radio I liked he would show me how to play. So I had an uncle who played lead in country bands he recorded guitar for some Freddy Fender albums and a few other popular country dudes, never liked it so they didn't stick in my head the only reason I remember Freddy Fender is because I thought he looked like the Cheeto guy.
So 12th birthday got a hondo acoustic nice little guitar. Into doing leads yet but there was no internet if you wanted a certain song you either saved up and went to the record store usually I could only afford the single on 45, or you could sit for hours with your cassette player waiting hours for the song to come on the radio but then you'd have these asshole Dj''s talking shit over the hole song and just messed the whole song up so I said I'll get me a guitar and learn the tunes I like and play them myself. Whether it is major or minor or some other mode or scale, that I chord's root is that note and then you base your chords relative to that note as the key. You can basically think of the note as the key of the song. I could complicate things by saying you then find the modality of the song with the type of feeling the tonal center has but that isn't entirely necessary. It's the home of the song or the place it settles and goes away and comes back to. It's the note that can exist over every chord kinda. Take a second to find the note every note and chord of the song gravitates to. Only our ears can really hear a tonal center, and a lot of times a lot of people's ears actually can't with certain music but I digress. They can kinda guess the implied tonal center, but they can't feel it like we can. We still don't have a fully functional way of finding this using theory or computers. The key of a song can be found using your innate human sense of a tonal center.
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